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Bibliography

—. “The Etchings of Buhot.” The Art Amateur 18, no. 5 (April 1888): 111.

—. Félix Buhot. New York: Martin Gordon, Inc., 1977.

—. Félix Buhot (1847–1898). Chicago: R.S. Johnson International, 1983.

—. Félix Buhot (1847–1898): Prints and Drawings. New York: C. & J. Goodfriend, 1986.

—. Félix Buhot (1847–1898): Prints and Drawings. New York: C. & J. Goodfriend, 1998.

Baudelaire, Charles. Paris Spleen. Translated by Louise Varèse. New York: New Directions Publishing Co., 1998.

Bénédite, Léonce. The Late Félix Buhot, Painter-Etcher. New York: Frederick Keppel & Co., 1910.

Boucard, Gustave and James Goodfriend. Félix Buhot: catalogue descriptive de son oeuvre grave. New York: M. Gordon, 1979.

Cate, Phillip Dennis. “Felix Buhot and Japonisme.” The Print Collector’s Newsletter 6 no. 3 (1975): 64-67.

Cobb, R.C. The Police and the People: French Popular Protest, 1789–1820. London: Oxford University Press, 1970.

Guinard, Paul. “Baudelaire, le Musée espagnol et Goya.” Revue d’Histoire littéraire de la France 67, no. 2 (April-June 1967): 310-328.

Harris, Jean C. “Edouard Manet as an Illustrator.” Philadelphia Museum of Art Bulletin. 62 no. 293 (1967): 222-235.

Huet, Hélène. “Mapping Decadence: From a Hunch to a Web Site.” Journal of Map & Geography Libraries 11, no. 1 (2015): 80-90.

Katzive, Bonnie L. Felix Buhot. Oakland, CA: Catherine E. Burns, 1980.

Krueger, Cheryl. “Telling Stories in Baudelaire’s ‘Spleen de Paris’” 30 no. 3/4 (2002): 281-299.

Leonard, Anne. Theme and Variation: The Multiple Sorceries of Félix Buhot. Chicago: Smart Museum of Art, 2018.

MacLean, Marie. “Shape-Shifting, Sound-Shifting: Baudelaire’s Oenirocritie and the Dream Work.” French Forum 20, no. 1 (January 1995): 45-63.

Menon, Elizabeth K. “Henry Somm: Impressionist, Japoniste, or Symboliste?” Master Drawings 33, no. 1 (Spring 1995): 3-29.

Miner, Margaret. “Heads and/Are Tails: Eccentric Conjunctions in Baudelaire’s ‘Spleen de Paris.’” South Central Review 13 no. 4 (Winter 1996): 38-53.

Murphy, Steve. “Haunting Memories: Inquest and Exorcism in Baudelaire’s ‘La corde’” 30 (Spring 1995): 65-91.

Simmons, Rosemary. Dictionary of Printmaking Terms. London: A & C Black, 2002.

Sutton, Howard. “Charles Cros, the Outsider.” The French Review 39, no. 4 (February 1966): 513-520.

Weisberg, Gabriel. The Realist Tradition: French Painting and Drawing, 1830–1900. Bloomington, IN: Indiana University Press, 1980.

—. The Independent Critic: Philippe Burty and the Visual Arts of Mid-Nineteenth Century France. New York: Peter Lang, 1993.