Home > Glossary of Printmaking Terms

Glossary of Printmaking Terms

Printmaking Basics

print an impression made by any method involving transfer from one surface to another

intaglio any printmaking technique in which the image is produced by incising into the printing plate; the incised line or area holds the ink and creates the image; etchings, engravings, aquatints, drypoints, mezzotints are all intaglio prints

planographic a printmaking technique where prints are made from a flat surface, such as in lithography and some forms of monotype

relief a printmaking process where marks are carved into the matrix (typically made of wood or linoleum) with a burin; the material removed becomes the unprinted area in the final work; ink is rolled onto the carved matrix and the block is run through a press; common relief prints include woodcuts and linocuts

Materials and Methods

acid a corrosive liquid used to etch metal plates

aquatint an intaglio printmaking technique used to create tonal effects rather than lines; fine particles of acid-resistant material are attached to a printing plate by heating and the plate is then immersed in an acid bath, as in the etching process; the acid eats into the metal around the particles to produce a granular pattern, which holds sufficient ink to give the effect of an area of wash when inked and printed

bite the corrosive action of acid on a metal plate

burin a steel engraving tool with a pointed, elliptical or lozenge-shaped tip

burnisher a polished steel, slightly curved tool used to level or partially erase worked areas of an intaglio print

burr the roughened edge of metal on each side of drypoint line; the burr holds ink and is characteristic of a drypoint

celluloid print a print made from an image scratched into celluloid sheet in the manner of drypoint

counter proof a print made from another just printed, which gives a copy in reverse

drypoint an intaglio printmaking process in which a design is drawn on a plate with a sharp, pointed, needle-like instrument; both the incised line and the burr receive ink when the plate is wiped, giving the printed line a distinctive velvety look

embossing a deep impression created during printmaking processes

engraving an intaglio printmaking technique that involves making incisions into a metal plate with a burin or other tool and without the use of acid; the engraved lines retain the ink and form the printed image

etching an intaglio printmaking technique that uses the chemical action of acid to produce incised lines in a metal printing plate, which then hold the applied ink and form the image

foul bite an accidental or unintentional erosion of the acid resist in an intaglio print

gelatintotype a late nineteenth century process where a hardened gelatin image on a lineblock avoided the need for etching

ground an acid-resisting coating on a metal plate which traditionally is wax-based; the image is drawn through the coating to expose the metal beneath to the acid

gum arabic a material used to control the application of acid in an etching

hard ground an acid resistant coating used to prepare a plate for etching

heliogravure an etching technique where an image is produced by coating the printing plate with light sensitive acid-resist ground and then exposing this to light to reproduce a photographic image; also known as photogravure or photo-etching

impression a print or proof

lift ground an intaglio printmaking technique where a design is drawn on a plate with a pen or brush and water-soluble ink mixture, of which sugar or salt is the main component; this mixture dissolves and lifts the ground from the plate, exposing the metal where the image has been drawn

lithography a printing process that uses a flat stone or metal plate on which the image areas are worked using a greasy substance that the ink will adhere to them by, while the non-image areas are made ink-repellent

matrix the base from which a print is made

open bite an etching technique where areas of the plate are exposed to acid with no resist

plate a sheet of metal, card, board, or plastic which can be engraved, etched or collaged and printed

plate mark the imprint in the paper resulting from the edge of a metal plate being embossed into it during the intaglio printmaking process

proof a trial print

pull an impression taken at any stage of the printing process before the editioning

resist a material which masks areas of a printing matrix from the action of acid, alkali or light; these are either greasy or waxy substances, varnish, acrylic-based liquids or light-opaque substances

roulette a steel engraving tool with a small spiked wheel which makes a dotted texture directly on an intaglio print or through a ground

sandpaper an abrasive material used to roughen surfaces or remove unwanted material; an intact sheet can be impressed into a soft ground on a metal plate to produce a texture similar to aquatint

soft ground an etching technique which uses grease to create a non-drying ground to produce softer lines

sprit ground an alternative to dusting resin for aquatint; the resin is suspended in alcohol and poured over the plate and as the alcohol evaporates it leaves the resin particles in a regular pattern

spit bite an etching technique where acid is painted or splashed onto the plate

steel scribe a tool used to inscribe a copper plate for drypoint                        

stop out an acid impervious varnish

sulfur tint a chemical etching technique in which the engraved metal plate is exposed to a sulfur mordant

tarlatan an open-weave cotton fabric, stiffened with starch, used to hand wipe intaglio plates

Other Techniques Used by Buhot

drawing a technique in which images are depicted on a surface by making lines, sometimes incorporating tonal areas, washes or other non-linear marks

gauche an opaque, but water-soluble paint

graphite a metallic grey writing and drawing material most commonly used in pencil form

ink a writing and drawing medium in liquid or paste form

wash a fine layer of color, usually ink or watercolor, brushed over a broad surface evenly so that no brush marks are visible; often used in conjunction with drawing

 

SOURCES

Library of Congress, Printmaking Processes: A Webliography

The Metropolitan Museum of Art, What Is Printmaking?

Museum of Modern Art, Art Terms

The Print Club of Cleveland, Glossary of Printmaking Terms

Richard Benson, The Printed Picture

Rosemary Simmons, Dictionary of Printmaking Terms. London: A&C Black, 2002.

Smith College Museum of Art, Printmaking Terms

Tate, Art Terms